Elevator Pitch (UK)

  LINWOOD BARCLAY is an international bestselling crime and thriller author with over twenty critically acclaimed novels to his name, including the phenomenal number one bestseller No Time For Goodbye. Every Linwood Barclay book is a masterclass in characterisation, plot and the killer twist, and with sales of over 7 million copies globally, his books have been sold in more than 39 countries around the world and he can count Stephen King, Shari Lapena and Peter James among his many fans.

  Many of his books have been optioned for film and TV, and Linwood wrote the screenplay for the film based on his bestselling novel Never Saw It Coming. He is currently working with eOne to turn the Promise Falls trilogy into a series. Born in the US, his parents moved to Canada just as he was turning four, and he’s lived there ever since. He lives in Toronto with his wife, Neetha. They have two grown children. Visit Linwood Barclay at www.linwoodbarclay.com or find him on Twitter at @linwood_barclay.

  Also by Linwood Barclay

  A Noise Downstairs

  Parting Shot

  The Twenty-Three

  Far from True

  Broken Promise

  No Safe House

  A Tap on the Window

  Never Saw It Coming

  Trust Your Eyes

  The Accident

  Never Look Away

  Fear the Worst

  Too Close to Home

  No Time for Goodbye

  Bad Luck

  Bad News

  Bad Guys

  Bad Move

  Elevator Pitch

  Linwood Barclay

  ONE PLACE. MANY STORIES

  Copyright

  An imprint of HarperCollins Publishers Ltd

  1 London Bridge Street

  London SE1 9GF

  First published in Great Britain by HQ in 2019

  Copyright © Linwood Barclay 2019

  Linwood Barclay asserts the moral right to be identified as the author of this work.

  A catalogue record for this book is available from the British Library.

  This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

  Ebook Edition © September 2019 ISBN: 978-0-008-33201-3

  Note to Readers

  This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:

  Change of font size and line height

  Change of background and font colours

  Change of font

  Change justification

  Text to speech

  Page numbers taken from the following print edition: ISBN 9780008332006

  Contents

  Cover

  About the Author

  Booklist

  Title Page

  Copyright

  Note to Readers

  Monday

  Prologue

  One

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Tuesday

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  Nineteen

  Twenty

  Twenty-One

  Twenty-Two

  Twenty-Three

  Twenty-Four

  Twenty-Five

  Twenty-Six

  Twenty-Seven

  Twenty-Eight

  Twenty-Nine

  Thirty

  Thirty-One

  Thirty-Two

  Thirty-Three

  Thirty-Four

  Wednesday

  Thirty-Five

  Thirty-Six

  Thirty-Seven

  Thirty-Eight

  Thirty-Nine

  Forty

  Forty-One

  Forty-Two

  Forty-Three

  Forty-Four

  Forty-Five

  Forty-Six

  Forty-Seven

  Forty-Eight

  Forty-Nine

  Fifty

  Fifty-One

  Fifty-Two

  Fifty-Three

  Fifty-Four

  Fifty-Five

  Thursday

  Fifty-Six

  Fifty-Seven

  Fifty-Eight

  Fifty-Nine

  Sixty

  Sixty-One

  Sixty-Two

  Sixty-Three

  Sixty-Four

  Sixty-Five

  Sixty-Six

  Sixty-Seven

  Sixty-Eight

  Sixty-Nine

  Seventy

  Seventy-One

  Seventy-Two

  Seventy-Three

  Seventy-Four

  Seventy-Five

  Seventy-Six

  Friday

  Seventy-Seven

  Acknowledgments

  About the Publisher

  MONDAY

  Prologue

  Stuart Bland figured if he posted himself close to the elevators, there was no way he could miss Sherry D’Agostino.

  He knew she arrived at the offices of Cromwell Entertainment, which were on the thirty-third floor of the Lansing Tower, on Third between Fifty-Ninth and Sixtieth, every morning between 8:30 and 8:45. A car was sent to her Brooklyn Heights address each day to bring her here. No taxi or subway for Sherry D’Agostino, Cromwell’s vice president of creative.

  Stuart glanced about nervously. A FedEx ID tag he’d swiped a couple of years ago when he worked at a dry cleaner got him past security. That, and the FedEx cardboard envelope he was clutching, and the FedEx shirt and ball cap he had bought online. He kept the visor low on his forehead. There was every reason to believe the security desk had been handed his mug shot and been advised to keep an eye out for him. D’Agostino—no relation to the New York grocery chain—knew his name, and it’d be easy enough to grab a picture of him off his Facebook page.

  But in all truth, he was on a delivery. Tucked into the envelope was his script, Clock Man.

  He wouldn’t have had to take these extra steps if he hadn’t overplayed his hand, going to Sherry D’Agostino’s home, knocking on the door, ringing the bell repeatedly until some little girl, no more than five years old, answered and he stepped right past her into the house. Then Sherry showed up and screamed at him to get away from her daughter and out of the house or she’d call the police.

  A stalker, she called him. That stung.

  Okay, maybe he could have handled that better. Stepping into the house, okay, that was a mistake. But she had no one to blame but herself. If she’d accepted even one of his phone calls, just one, so that he could pitch his idea to her, tell her about his script, he wouldn’t have had to go to her house, would he? She had no idea how hard he’d been working on this. No idea that ten months earlier he’d quit his job making pizzas—unlike the dry-cleaning gig, leaving the pizza place was his own decision—to work full-time on getting his script just perfect. T
he way he figured it, time was running out. He was thirty-eight years old. If he was to make it as a screenwriter, he had to commit now.

  But the whole system was so terribly unfair. Why shouldn’t someone like him be able to get a five-minute audience with her, make his pitch? Why should it only be established writers, those assholes in Hollywood with their fancy cars and big swimming pools and agents with Beverly Hills zip codes. Who said their ideas were any better than his?

  So he watched her for a couple of days to learn her routine. That was how he knew she’d be getting into one of these four elevators in the next few minutes. In fact, it would be one of two elevators. The two on the left stopped at floors one through twenty, the two on the right served floors twenty-one through forty.

  He leaned up against the marble wall opposite the elevators, head down, trying to look inconspicuous, but always watching. There was a steady flow of people, and it’d be easy for Sherry to get lost in the crowd. But the good thing was, she liked bright colors. Yellows, pinks, turquoise. Never black or dark blue. She stood out. And she was blond, her hair puffed up the way some women do it, like she went at it with a bicycle pump in the morning. She could be standing in a hurricane, have every stitch of clothing blown off her, but there wouldn’t be one hair out of place. As long as Stuart kept a sharp lookout, he was pretty sure he wouldn’t miss her. Soon as she got on the elevator, he’d step on with her.

  Shit, there she was.

  Striding across the lobby, those heels adding about three inches to her height. Stuart figured she was no more than five-two in her stocking feet, but even as small as she was, she had a presence. Chin up, eyes forward. Stuart had checked her out on IMDb, so he knew she was nearly forty. Looked good. Just a year or two older than he was. Imagine walking into Gramercy Tavern with her on his arm.

  Yeah, like that was gonna happen.

  According to what he’d read online, she’d started in television as a script supervisor in her early twenties and quickly worked her way up. Did a stint at HBO, then Showtime, then got lured away by Cromwell to develop new projects. The way Stuart saw it, she was his ticket to industry-wide acclaim as a hot new screenwriter.

  Sherry D’Agostino stood between the two right-hand elevators. There were two other people waiting. A man, sixtyish, in a dark gray suit, your typical Business Guy, and a woman, early twenties, wearing sneakers she’d no doubt change out of once she got to her desk. Secretary, Stuart figured. There was something anonymous and worker bee about Sneaker Girl. He came up behind the three of them, waiting to step into whichever elevator came first. He glanced up at the numbers. A tiny digital readout above each elevator indicated its position. The one on the right was at forty-eight, the one on the left at thirty-one, then thirty.

  Going down.

  Sherry and the other two shifted slightly to the left set of doors, leaving room for those who would be getting off.

  The doors parted and five people disembarked. Once they were out of the way, Sherry, Business Guy, Sneaker Girl, and Stuart got on. Stuart managed to spin around behind Sherry as everyone turned to face front.

  The elevator doors closed.

  Sherry pressed “33,” Sneaker Girl “34,” and the Business Guy “37.”

  When Stuart did not reach over to press one of the many buttons, the man, who was standing closest to the panel, glanced his way, silently offering to press a button for him.

  “I’m good,” he said.

  The elevator silently began its ascent. Sherry and the other woman looked up to catch the latest news. The elevator was fitted with a small video screen that ran a kind of chyron, a line of headlines moving from right to left.

  New York forecast high 64 low 51 mostly sunny.

  Stuart moved forward half a step so he was almost rubbing shoulders with Sherry. “How are you today, Ms. D’Agostino?”

  She turned her head from reading the screen and said, “Fine, thank—”

  And then she saw who he was. Her eyes flickered with fear. Her body leaned away from him, but her feet were rooted to the same spot in the elevator floor.

  Stuart held out the FedEx package. “I wanted to give you this. That’s all. I just want you to have it.”

  “I told you to stay away from me,” she said, not accepting it.

  The man and woman turned their heads.

  “It’s cool,” Stuart said, smiling at them. “Everything’s fine.” He kept holding out the package to Sherry. “Take it. You’ll love it.”

  “I’m sorry, you have to—”

  “Okay, okay, wait. Let me just tell you about it, then. Once you hear what it’s about, I guarantee you’ll want to read it.”

  The elevator made a soft whirring noise as it sped past the first twenty floors.

  Sherry glanced at the numbers flashing by on the display above the door, then up to the news line. Latest unemployment figures show rate fell 0.2 percent last month. She sighed, her resistance fading.

  “You’ve got fifteen seconds,” she said. “If you follow me off, I’ll call security.”

  Stuart beamed. “Okay! Right. So you’ve got this guy, he’s like, thirty, and he works—”

  “Ten seconds,” she said. “Sum it up in one sentence.”

  Stuart suddenly looked panicked. He blinked a couple of times, his mind racing to encapsulate his brilliant script into a phrase, to distill it to its essence.

  “Um,” he said.

  “Five seconds,” Sherry said, the elevator almost to the thirty-third floor.

  “Guy works at a factory that makes clocks but one of them is actually a time machine!” he blurted. He let out a long breath, then took one in.

  “That’s it?” she said.

  “No!” he said. “There’s more! But to try to explain it in—”

  “What the hell?” Sherry said, but not to him.

  The elevator had not stopped at her floor. It shot right past thirty-three, and then glided right on by thirty-four.

  “Crap,” said Sneaker Girl. “That’s me.”

  The two women both reached out to the panel at the same time to press the button for their floors again, their fingers engaged in a brief bit of fencing.

  “Sorry,” said Sherry, who’d managed to hit the button for her floor first. She edged out of the way.

  US militant group Flyovers prime suspect in Seattle coffee shop bombing that killed two.

  As the elevator continued its ascent, Business Guy grimaced and said, “Guess I’ll join the club.” He put his index finger to the “37” button.

  “Someone at the top must have pushed for it,” Sneaker Girl said. “It’s going all the way up first.”

  She turned out to be right. The elevator did not stop until it reached the fortieth floor.

  But the doors did not open.

  “God, I fucking hate elevators,” she said.

  Stuart did not share her distress. He grinned. The elevator malfunction had bought him a few extra seconds to make his pitch to Sherry. “I know time travel has been done a lot, but this scenario is different. My hero, he doesn’t go way into the past or way into the future. He can only go five minutes one way or the other, so—”

  Business Guy said, “I’ll walk back down.” He pressed the button to open the doors, but there was no response.

  “Jesus,” he muttered.

  Sherry said, “We should call someone.” She pointed to the button marked with the symbol of a phone.

  “It’s only been a few seconds,” Stuart said. “It’ll probably sort itself out after a minute or so and—”

  With a slight jolt, the elevator started moving again.

  “Finally,” Sneaker Girl said.

  Storm hitting UK approaching hurricane status.

  “The interesting angle is,” Stuart said, persisting, “if he can only go five minutes into the past or five minutes into the future, how does he use that? Is it a kind of superpower? What kind of advantages could that give someone?”

  Sherry glanced at him dismiss
ively. “I’d have gotten on this elevator five minutes before you showed up.”

  Stuart bristled at that. “You don’t have to insult me.”

  “Son of a bitch,” the man said.

  The descending elevator had gone past his floor. He jabbed at “37” again, more angrily this time.

  The elevator sailed past the floors for the two women as well, but stopped at twenty-nine.

  “Aw, come on,” Business Guy said. “This is ridiculous.” He pressed the phone button. He waited a moment, expecting a response. “Hello?” he said. “Anyone there? Hello?”

  “This is freaking me out,” Sneaker Girl said, taking a cell phone from her purse. She tapped the screen, put the phone to her ear. “Yeah, hey, Steve? It’s Paula. I’m gonna be late. I’m stuck in the fucking eleva—”

  There was a loud noise from above, as though the world’s largest rubber band had snapped. The elevator trembled for a second. Everyone looked up, stunned. Even Stuart, who had stopped trying to sell his idea to Sherry D’Agostino.

  “Fuck!” said Sneaker Girl.

  “What the hell was that?” Sherry asked.

  Almost instinctively, everyone started backing up toward the walls of the elevator, leaving the center floor area open. They gripped the waist-high brass handrails.

  “It’s probably nothing,” Stuart said. “A glitch, that’s all.”

  “Hello?” Business Guy said again. “Is anybody there, for Christ’s sake? This elevator’s gone nuts!”

  Sherry spotted the alarm button and pressed it. There was only silence.

  “Shouldn’t we be hearing that?” she asked.

  The man said, “Maybe it rings someplace else, you know, so someone will come. Down at the security desk, probably.”

  For several seconds, no one said anything. It was dead silent in the elevator. Everyone took a few calming breaths.

  Average US life expectancy now nearly 80.

  Stuart spoke first. “Someone’ll be along.” He nodded with false confidence and gave Sherry a nervous smile. “Maybe this is what I should be writing a—”

  The elevator began to plunge.

  Within seconds it was going much faster than it was designed to go.

  Stuart and Sherry and the two others felt their feet lifting off the floor.